steinberger

Thanks for the feedback! I'd agree with you, I could tighten it up and eliminate some of the "darlings". I noticed the flicker in the Monument Valley night sequence, it seemed to occur whenever there were headlights lighting up the dust that was in the air (1:54). Lens flicker was (i think) eliminated by LRTimelapse pretty well. I will revisit the stabilization issue, I did apply stabilization in some of the sequences, as I ran into issues with Edelkrone's setup not being as stable as I wanted it to be, but some of that could've been caused by some of the stronger wind gusts I had on some nights. Swoosh'es I'll eliminate or tone down a bit, you're right, that's overdone...! Thanks again!!

I am not a ambassador of Sony unlike a few others here so there's no conflict and my opinion isn't based on a relationship with Sony... Having said that I believe wholeheartedly in Sony"s G Lenses. I had purchased a few weeks ago a Sigma 24-70 Art lens because it has fantastic reviews and a decent price. I used it in Iceland for a week and I ended up sending it back when I returned home. Sharpness was ok, however the vignetting in the corners was just not acceptable to me, even after correcting it in post. You get what you pay for and investing in good glass is more important imo than the camera.

Thanks Don! I only had 3 days so I stayed around Vik and Skaftafell. Hope to see more images from your trip! Stay safe out there!

Oddly enough I got busier starting mid 2020... As a (primarily) marine photographer covid lockdowns had a positive effect in the sense that it drove so many people into boating. My clients sold a record amount of product which is good for marketing budgets. Of course that bit us in the butt the following year when there was little to no boats available to shoot as they were all sold or hung-up due to supply-chain issues... Win some, lose some.

You're not kidding... lol IG: @steinbergerphoto

Hey Don! I wonder if we may have crossed paths, I was there around the same time... Here are a couple of my shots from Jökulsárlón, evening of January 12th... Unfortunately I had clouds moving in but it was still a great night. Waves crashing in the distance and the seals snorting and splashing below. Pretty cool. Even better, I had the whole place to myself.

Hey Ridley! Thanks a bunch for your comments, much appreciated! The transition at 1:30 is abrupt, but I thought it was appropriate as it's going from night to day in one frame. It could've been timed better with the music, in retrospect I think the music is off by a second or so, I'll play with it some more. No telephoto lenses used, what your seeing is probably the depth of field you get from using a large aperture lens of which I used two different ones: the Sony FE 24mm 1.4 GM and the 35mm 1.4 GM lens. Both are fantastic lenses I absolutely love using for landscapes, especially for night shots. I also used a Sony 12-24, Sony 24-105 (wide only) and Rokinon 12mm cine lens. Movement was all done with (2) Edelkrone motorized SilderPlus and HeadPlus equipment and (1) SliderOne. Thanks again for the comments!

Hi all, Here is a link to my latest time lapse project "Canyons and Dust", shot on Sony A7RIII, A7RIV, A7III, FX3's in the American Southwest. I would love any feedback you might have so I can keep improving my skills. Many thanks! Richard