alpha-jessica-a Posted April 10 Share Posted April 10 Cristina Mittermeier is a conservation photographer, Sony Artisan Imagery and co-founder of SeaLegacy who uses her passion for photography to influence the fate of our planet’s natural resources. You can check out some of her work on Instagram and check out the crowdfunding page for her new book, Hope here. Cristina will be participating in a text-based AMA here on the forums on April 10th from 2-3pm ET. Cristina will be happy to answer questions about conservation photography, storytelling, the type of gear she uses, travel preparation and so much more. Link to comment Share on other sites More sharing options...
alpha-stormy Posted April 10 Share Posted April 10 We’re excited to have Cristina in the community for this live AMA today! This is a great time to connect with Cristina on her work, learn about her approaches to conservation photography and how she got to the level she is at today. Please be patient as Cristina will be typing our responses as questions come in. Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Hi everyone! I’m Cristina Mittermeier, a conservation photographer, Sony Artisan Imagery and co-founder of SeaLegacy. I’m as passionate about conservation as I am about photography. You can see some of my work on Instagram. I’m looking forward to answering your questions today! Link to comment Share on other sites More sharing options...
avmil Posted April 10 Share Posted April 10 Do you have advice for a newbie looking to become a conservation photographer? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote Do you have advice for a newbie looking to become a conservation photographer? I absolutely do! Hone your skills as a storyteller. There are many workshops, masterclasses etc. You need to become "a jack-of-all-trades" and be good at video, stills, interviews, candids, etc. Then find an organization that inspires you and volunteer. Its all in my Masterclass! 1 Link to comment Share on other sites More sharing options...
Kait Posted April 10 Share Posted April 10 Why have you chosen hope as a theme and title for your new book? Link to comment Share on other sites More sharing options...
emism Posted April 10 Share Posted April 10 I saw you’re crowdfunding for a new book! Is that a model you think would work for other photographers? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote Why have you chosen hope as a theme and title for your new book? I chose HOPE because on the days when I am feeling a little overwhelmed or depressed by the state of the world, I know I have the choice to shift my mindset to Hopefulness. I focus on something positive, reach out to my community, and make the choice of feeling more Hopeful. It is a great motivator! 1 Link to comment Share on other sites More sharing options...
sowil Posted April 10 Share Posted April 10 How much editing do you typically do? Can you talk about the typical sliders you play with when editing? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote I saw you’re crowdfunding for a new book! Is that a model you think would work for other photographers? Hello! It is becoming increasingly hard for photographers to publish beautiful coffee table books. Publishing houses are struggling and therefore, the opportunities are fewer and as artists, we often lose control of the process as publishers try to maximize profits. I started conversations with Hemeria, and we came up with the idea of leaning on my followers and the people who like my work to support this book. It is a new model, for sure, but so far, the response has been incredible. I think that by doing it this way, I am building a sense of community, not just around HOPE but around artists who can support each other. I can buy your book and help you reach your goal, and you can support mine too. It is very uplifting. At the end of the day, I will have the exact book I love and not the book the publisher thinks will sell at the highest profit. Link to comment Share on other sites More sharing options...
Hannah Posted April 10 Share Posted April 10 These days, in order to break into conservation photography and storytelling are individuals required to have formal education in conservation/biology/wildlife management etc. or is this sort of changing? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 How much editing do you typically do? Can you talk about the typical sliders you play with when editing? Hello! I try to save time by shooting images that are as finished as possible "in camera". I try to not live my life in front of a computer, so clean sensors, an understanding of white balance, cropping in camera, all help Link to comment Share on other sites More sharing options...
avmil Posted April 10 Share Posted April 10 If you had to choose one camera and lens to use for everything, what would it be and why?? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote How much editing do you typically do? Can you talk about the typical sliders you play with when editing? After that, I edit in Lightroom, and I use the same controls as everyone else: contrast, tonality, etc. Underwater is a different ballgame because I have to deal with backscatter, color correction, etc., so I often edit in Photoshop, and it takes a lot longer... also, fish don't like to pose, so I have a smaller success rate. Its tough work!! Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 These days, in order to break into conservation photography and storytelling are individuals required to have formal education in conservation/biology/wildlife management etc. or is this sort of changing? I don't think you need a formal education, but you need to become incredibly knowledgeable. Studying the issues you want to photograph, understanding the root causes, the solutions, the players, the culprits, etc., is all part of chasing a moving target. 1 Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote These days, in order to break into conservation photography and storytelling are individuals required to have formal education in conservation/biology/wildlife management etc. or is this sort of changing? I often feel like I have a base knowledge of issues like climate, whaling, or industrial fishing, and then I have to dig into the science, the experts, and the University of Google to learn more. Every issue is its own PhD and you need to become a qualified part of the conversation. That doesn't mean you have to spend 5 years in university. 2 Link to comment Share on other sites More sharing options...
emism Posted April 10 Share Posted April 10 I saw you’re crowdfunding for a new book! Is that a model you think would work for other photographers? That's amazing! Thank you for sharing. Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 If you had to choose one camera and lens to use for everything, what would it be and why?? I have always been a minimalist when it comes to equipment. I always want the best file I can get (after all, sometimes you only get one chance, so you want to get a file that will endure the test of time) and I love a lens that multitasks, like a zoom lens Link to comment Share on other sites More sharing options...
libro Posted April 10 Share Posted April 10 What separates a nature photograph from a conservation photograph? How do you make an impact with images? 1 Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 Quote If you had to choose one camera and lens to use for everything, what would it be and why?? These days, I am toggling the A1 because it is so fast and smart, especially underwater and for wildlife, and the A7R5 because it gives me such a large, beautiful file. I use them both, and I try to carry only a handful of lenses that I know how to maximize well. Products Used Alpha 1 (Alpha1)Cameras Alpha 7R V (Alpha7RV)Cameras 1 Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 What separates a nature photograph from a conservation photograph? How do you make an impact with images? This is my favorite question. A nature photographer is merely documenting nature and wildlife. A conservation photographer takes those images and makes sure they are put in front of the people who make decisions, change policy, and have influence. 1 Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 What separates a nature photograph from a conservation photograph? How do you make an impact with images? The conservation photographer is an artist and an activist. 1 Link to comment Share on other sites More sharing options...
oljon Posted April 10 Share Posted April 10 I saw you in the Disney+ show!! Do you get scared when you’re shooting with such huge animals? How did your photography journey start? Link to comment Share on other sites More sharing options...
Cristina Mittermeier Posted April 10 Share Posted April 10 What separates a nature photograph from a conservation photograph? How do you make an impact with images? Also, the conservation photographer studies the levers that affect the issue he or she is photographing and uses those levers to shed additional light on the story. Link to comment Share on other sites More sharing options...
avmil Posted April 10 Share Posted April 10 How do you build and audience and then engage them enough to take action? Link to comment Share on other sites More sharing options...
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